The new North American headquarters in Clearwater, Florida opened this year. The Stuttgart-based company’s geographical expansion to strengthen AnyDesk’s position in certain key markets is also progressing rapidly. There is only a little room for improvement in terms of bandwidth and frame size. The software does particularly well in terms of frame rate and latency. In a comparison of competitors by PassMark, AnyDesk is the undisputed leader with a full five points behind the runner-up. The software occupies the top places in all four test categories and emerged as the winner of the tests with 45 or 40 out of a maximum of 48 points to be achieved. “ĪnyDesk’s powerful remote desktop software for private users and companies enables PC, smartphone or tablet users to quickly access other end devices remotely. The speed and security of AnyDesk make our remote desktop solution a reliable partner for working from the home office. “The measurement results show that our software scores extremely well in the key performance categories of remote desktop software. “We are proud of the very good result that AnyDesk has achieved in the two benchmark tests,” says Philipp Weiser, founder and managing director of AnyDesk Software GmbH. The tests were carried out by ScienceSoft and PassMark Software on behalf of AnyDesk. In the tests, AnyDesk showed the highest frame rate and lowest latency of all competitors, while at the same time using significantly less bandwidth than the competition average. In September 2020, a total of twelve software solutions with remote desktop functionality were tested and compared in the categories of frame rate, latency, bandwidth and frame size. That was the result of two benchmark tests by independent IT consulting firms. Stuttgart, 22nd Oktober 2020 – AnyDesk Software, one of the leading companies for remote desktop solutions, has the fastest software. In tests by two independent IT consulting service providers, AnyDesk is number one out of a total of twelve tested remote desktop solutions.
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The story, set in contemporary Madrid but largely shot in airless interiors involves two different ‘magical girls’ (a trope borrowed from Japanese anime), connected through the sombre men who gravitate around them. The film is riddled with bewildering gaps and ellipses but what emerges is a perfectly formed, hyper-dark world. Modest in terms of budget (with an estimated cost of half-million euros, and no public subsidies nor substantial investment from the television channels) but with notable formal ambition, Magical Girl builds on the strengths of Vermut’s internet cult hit Diamond Flash (2011), unspooling a bizarre story of blackmail and retribution. In this regard, the bestowing of the two top prizes, the Golden Shell and the Silver Shell for best director, on second-time director Carlos Vermut for Magical Girl, rewarded risk over consensus. This turned out to be a bumper year for cinema made in Spain, with some films confidently exploring themes and styles beyond what may be deemed the national industry’s familiar comfort zone. Among the many possible paths into the packed programme, this post trails the Spanish/Latin American selection (with a small European detour) that I managed to catch in my stay during the second half of the festival. With nearly 150 films on offer in the Official Competition and sidebar sections, plus an extensive sample of contemporary East European Cinema under the banner “Eastern Promises”, the 2014 San Sebastian Film Festival was a serious case of an embarrassment of riches. [Note: scholars and fans of the film director Icíar Bollaín, mentioned, below, might like to revisit Mediático next week for some great new resources on her work.) Vidal is author of Figuring the Past: Period Film and the Mannerist Aesthetic (Amsterdam University Press, 2012) and Heritage Film: Nation, Genre and Representation (Wallflower Press/Columbia University Press, 2012), and co-editor of The Biopic in Contemporary Film Culture (with Tom Brown, Routledge, 2014) and Cinema at the Periphery (with Dina Iordanova and David Martin-Jones, Wayne State University Press, 2010). Mediático is delighted to present a report on the 62nd International San Sebastian Film Festival (19/27 September, 2014) by Belén Vidal, Senior Lecturer in Film Studies at King’s College, London. With progress making headway on the upcoming from a group of developer's, Another developer ( fjtrujy) started progress on a PlayStation 2 (PS2) port and now has a port that progressed enough for a public soft release, Now available in the new for anyone interested in downloading and trying out the multi-system emulator on your homebrew capable PS2 hardware. 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Its 14" barrel attached to the aluminum alloy receiver with a threaded collar, a knurled-head bolt attached the stock to the receiver and the whole thing could be assembled without tools. ArmaLite called it the “pack-in-stock” concept. The centerpiece of the AR-5 was a hollowed-out fiberglass stock, which built on George Sullivan’s experiments with synthetic stock materials, into which the action and barrel could be stowed to make a compact package that would float in water. 22 Hornet concept (an original ArmaLite photograph shows Eugene Stoner at his work bench with an M4 lying beside an AR-5 prototype), the rest was a radical new design. Following its protocol of naming new models, ArmaLite called it the “AR-5.” ArmaLite put its engineers on the project, and within a month the Air Force had a working prototype in its hands for evaluation. Among the requirements specified was that the new rifle would float. Within a month of establishment of the ArmaLite Division, the Air Force put out a call for a new takedown survival rifle. 22 Hornet/.410 that folded to the length of its 14" barrels and was manufactured by Ithaca.Įarly Costa Mesa, Calif., produced AR-7 rifles, such as the one shown here with its original box, exhibit a brown stock coloration that, according to Blue Book of Gun Values, commands a premium in today’s marketplace.Īs a division of Fairchild, ArmaLite had its eye on Air Force contracts. A few years later, a second design was adopted. and disassembled into a two-piece package the size of its 13.5" barrel. The rifle featured a sliding wire stock and a barrel that screwed into place at an index mark on the receiver and was secured in place by a thumb screw. Designated M4, the magazine-fed bolt-action, manufactured by Harrington & Richardson, was chambered in. The newly independent Air Force designed its first purpose-built survival rifle in 1949. In the nuclear age that followed World War II, America’s fleet of long-range strategic bombers began operating over thousands of miles of uninhabited terrain. 410 bore over-and-unders with plastic Tenite stocks to bomber and transport crews flying in the Pacific theater. The Army Air Corps later issued 15,000 Stevens Model 24. pilots were already carrying in their shoulder holsters. 45 ACP shot cartridges (M12 and M15) that would function in the M1911s U.S. Sauer drilling in 9.3x74 mm R and 12 gauge to their fliers operating in North Africa. Each country sought a different solution. During World War II, as aircraft range had increased and aircrews traveled longer distances over uninhabited terrain, the Air Force realized the need for a survival weapon. |
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